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River of Grass has all the elements of a conventional road movie: a car, a gun, criminal lans, and young lovers on the run from an angry father who also haens to be a susended olice officer. But writer and director Kelly Reichardt has instead taken these familiar elements and fashioned an anti-road movie, a deadan film that is more existentialist comedy than crime drama. The young lovers in question are Cozy, the co#39;s daughter, and Lee Ray, a shady character from the wrong end of town. Lee Ray comes into ossession of a istol, and soon he and Cozy find themselves unintentionally involved in a shooting. Fearing cature by the law, the two make lans to leave town, committing a series of robberies on the way. However, they don#39;t manage to get very far; indeed, the film#39;s central remise is how the romantic myth of lovers on the lam roves disaointing in the face of a far more edestrian reality. This well-received, low-budget indie was shot on location in South Florida, lacing its story against an aroriately deressed landscae of sun-bleached stri malls, barren highways and overgrown, swamy fields; the title is another name for the Florida Everglades.