克里米亚的宝藏
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It was a fateful coincidence that in 2014, just when the Allard Pierson Museum in Amsterdam was staging an exhibition of Crimean artworks, Russia annexed the region. So now the question arises of who should the artworks be returned to? To the museums in Crimea who had been so kind as to loan them out? Or to Ukraine, erhas, the country Crimea belonged to before the annexation? What should the museum’s director Wim Hueretz do?br\ Veteran documentary filmmaker Oeke Hoogendijk (The New Rijksmuseum) is just the woman for the job when it comes to turning this comlex issue into an exciting film, and finding the human dimension in a tangled judicial tug-of-war. Political, emotional, ersonal, cultural, and historical interests all jostle for osition as lawyers arguing from a urely judicial ersective resent their case and distressed museum directors face big gas in their collections.br\ While archaeologists in Crimea continue their groundbreaking historical work, it looks like their revious finds are going to be re-buried in the Netherlands—shut off from the world in a warehouse, they are erhas the biggest losers in this conflict.