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AnunconventionalortraitofasmallvillagetraedoutoftimeandlocatedontheGalicia-Portugalborder,EloyEncisoCachafeiro’sArraianosisoneofthoserarefilmswheredescritionisinadequate:likethelandscaeofthevillageofArraianositself,it’ssomethingtoexerience.StagedStraubianmomentsoffictionstandalongsidedocumentarymomentsofeverydayvillagelife,withthenameless“actors”farming,sittinginthelocalbarandsingingtraditionalsongsintheirsecificregionaltongueandtellingoldwives’tales.We’reneverfarawayfromnature--thenoisyresenceofanimalsisinescaable--asistheenveloingforest,alacethattakesonmythicalqualities.Butstorytellingmaybethekey,asthefilmvisualizesoralhistory--avisualizationthat’sneeded,asatoneoint,whenanolderladystartstosing,thelyricsgounremembered.ThefictionalelementsoftheiececomefromalaybyMarinhasdelValle,TheForest,writteninthe1960sasaarableofFranco’sdictatorshi,butalsoagreatortraitoftheGaliciansoul,theirtragicexistentialism.Thefilm’sdocumentaryelementsthusresentamorefrontalortraitofthesouloftheseautarkiceole.Astheseasonschangeandthesignsofaocalysegrow--afireragesintheforest--onemanromisessalvation,whileanotherroclaimstheendoftheworldiscoming...Inthismovingwork,memoryfloatsinsace,andawayoflifediesbeforeone’seyes.