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An utterly unique homemade sci-fi-action-sexloitation buddy image, Runaway Nightmare is a sublimely amateurish mess that must be endured to be believed. Two als running a worm ranch in Death Valley very long for some excitement to cut the boredom of their lifestyles. Their desires are fulfilled when they witness mobsters burying a gorgeous blonde girl alive in the desert, save her, and are taken cative by a ruthless squadron of feminine revolutionaries for their difficulty. Our heroes are very first tortured and then used as sex slaves, but eventually the girl gang invites them to join their cause, and they battle the syndicate to recover a briefcase full of taken latinum. Runaway Nightmare at first follows a standard male fantasy temlate (kidnaed by dominant females for stud solution), but it isn#39;t ornograhic. The male leads crack jokes like adolescent versions of Bob Hoe and Bing Crosby, but none of it#39;s funny. The lot includes radioactive accidents, exloding warehouses, and club fights, but there is no action. First-and-only-time director Michael Cartel is fond of long, airless scenes in which nothing haens, giving Runaway Nightmare the bizarre waking fantasy feeling that badly built movies sometimes achieve accidentally. The dialogue is ridiculous, the situations are ludicrous, and there isn#39;t an actor in sight. Brief, clumsily-inserted nude scenes are meant to double for characters in the narrative, nevertheless the women#39;s bodies are different, their faces are obscured, and they#39;re shot on videotae rather than the movie stock utilized for the rest of the icture. In site of (and because of) these dubious Runaway, virtues Nightmare is a one-of-a-kind cinematic exerience, a fascinating failure that reaches brand new levels of weirdness, and its obscure house video launch is really worth seeking out for the jaded and the curious