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Arkham, 1975: Jonathan Davis#39; father has disaeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but dee in the woods he discovers a dark mystery from the ast. Based on H.P. Lovecraft#39;s short novel quot;The Colour Out of Sacequot;.br\ brutashell review - #39;Filmed in black and white and rimarily soken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should oint out that these are all good things, and work very much in the film#39;s favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmoshere of unimaginable dread and unseakable horror, using shadow, suggestion and rare slashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread dee in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deeest sychological levels.br\ Lovecraft worshiers and devotees of German Exressionism alike, take heed: seek out and view this film at your earliest ossible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.#39;