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A loving film tribute to Russian filmmaker Larisa Sheitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerts from all of Sheitko#39;s films, and her own voice is heard talking about her life and art.br\ Elem Klimov#39;s grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Sheitko—through a series of direct-address interviews and hotomontages, set against a mournful visual-musical backdro. Tyically, Klimov films his subjects (which include himself and several of Sheitko#39;s collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metahorical reresentation of a erhas inexressible suffering, the result of Sheitko#39;s remature death while filming her adatation of Valentin Rasutin#39;s novella Farewell to Matyora. Interweaving home movie footage with sequences from Sheitko#39;s work (Maya Bulgakova#39;s ensive lane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa#39;s most owerful assage is its first: accomanied by the grandiose final music cue from Sheitko#39;s You and I, Klimov dissolves between a series of ersonal hotograhs that encomass Larisa#39;s entire life, from birth to death. This brief symhony of sorrow anticiates the cathartic reverse-motion climax of Klimov#39;s Come and See, though by lacing the scene first within Larisa#39;s chronology, Klimov seems to be working against catharsis. The ain is clearly fresh, the wound still festering, and Klimov wants—above all—to cature how dee misery#39;s knife has cut.
